The Paddock No. 02 - Framed 18th-century horse racing print by James Seymour, chestnut racehorse and trainer in red coat.

The Paddock No. 02

$78.00
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The Paddock No. 02 - Framed 18th-century horse racing print by James Seymour, chestnut racehorse and trainer in red coat.
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The Paddock No. 02

$78.00
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This spirited composition captures the athletic grace of a chestnut racehorse during a morning exercise on the open turf. With its vibrant traditional palette and timeless sporting character, this piece serves as a majestic focal point, bringing a sophisticated sense of heritage and quiet strength to a library or entryway gallery.

An heirloom-quality reproduction of "One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat- galloping to the left" by James Seymour (circa 1730).

Dimensions: 10x10


Ships in 1–3 business days.

Hand-selected for our The Paddock collection, this piece has been meticulously curated for a timeless home.

The Print


Each reproduction is rendered on professional-grade, acid-free paper featuring a subtle linen texture. This specific finish mimics the weave of an original canvas, diffusing light beautifully and providing the weight and feel of a true antique. Printed in a premier Midwest laboratory, our prints are designed to resist fading and remain a staple in your home for decades.

The Framing


We partner with master framers to provide high-quality reproduction frames that honor the era of the artwork. Every framed print arrives "wall-ready," protected by crystal-clear glass and fitted with a modern sawtooth hanger. Our frames bridge the gap between old-world charm and modern convenience, ensuring your art looks as though it was inherited, not just bought.

The Curation


Every piece in The Gallery is hand-selected by our founder. We spend countless hours scouring historical archives to find hidden masterpieces that share a cohesive soul and palette. By identifying works with a specific "lived-in" character, we’ve done the work of building a collection for you—ensuring that every print, from the first to the fiftieth, hangs together in perfect harmony.